An array of performances to choose in Hammersmith and Fulham over Christmas

Lots of arts events to choose from locally over Christmas.

Jack and the Beanstalk – Lyric Theatre, Lyric Square, King Street

Tickets £15 ‐ £40 available here. Running time – 130 minutes. Ages 6+

See the review in the Evening Standard.

Bush Hall, 310 Uxbridge Road, London W12 7LJ 020 8222 6955

Lots going on at this excellent Edwardian venue. It was originally built in 1904  and was used as a dance hall through the roaring twenties and as a soup kitchen during the Second World War.

Comedy: Bush Hall Presents a Festive Tim Key – details here.

Then on New Year’s Eve there is: The Sheen Resistance presents: Lost in Disco New Years Eve Extravaganza! Sunday, Dec 31, 2017 9:00 PM – 3am January 1st 2018. Details here.


Baron’s Court Theatre, The Curtains Up pub, 28a Comeragh Road, London W14 9HR 020 7602 0235

An intimate venue under the Curtains Up pub. Founded in 1991 it has only 57 seats.

Coming up we have Improvised Pantomimes. 7.30pm – 10.00pm from 12th- 17th of December with the Very Serious People. Tickets £10-£12 here.

Then we have The Fairground Magic Show. Set in the Fairground and carnivals of yesteryear. A traditional magic show for the whole family. Created and presented  by magician and showman Richard Leigh. Tickets £10-£12 here.

More details here.

Bush Theatre, 7 Uxbridge Road, W12 8LJ 020 8743 5050

I’m afraid very much dominated by agitprop in recent years. Currently showing Parliament Square about a woman who sets herself on fire for no terribly clear reason. “There’s passion here, but without purpose and direction it just fizzes and zips about haphazardly, like a lit firework in a box,” said the review in The Times. Plus “some blurry existential musing.”

As Miss Jean Brodie said: “For those who like that sort of thing.  That is the sort of thing they like.”

Others might prefer A Storystock Christmas on Saturday December 9th and Saturday December 16th. “A magical series of interactive storytelling, craft, drama and comedy sessions for all the family this winter season.” More details here.

Tabard Theatre, 2 Bath Road, W4 1LW 0208 995 6035

This 96 seat venue opened in 1985 above the Tabard Pub and is very near Turnham Green tube – so just over the border in Hounslow.

The Little Match Girl, 7 December – 31 December 2017 adapted from the classic tale by Hans Christian Andersen. Tuesday – Saturday 7pm, Saturday Matinees 3pm, Sunday Matinees 3pm.

Tickets £19.50 Concessions £16.50 Under 16’s £14.50. More details here.

Irish Cultural Centre, 5 Black’s Road, Hammersmith, W6 9DT 

Nun’s Chorus – an Irish Theatre Play by Sally Mulready. Directed by Molly Mulready. “Set in 1950s Ireland, ‘Nun’s Chorus’ tells the story of what happens when a group of Carmelite Nuns, from an enclosed order, are forced to leave their convent for the very first time in years, to go on an holiday to Galway.”

Friday December 8th, 7.45pm. Tickets £10, £6 concessions. More details here.


Riverside Studios to reopen by August next year

After the fiasco with the demolition of the cinema in King Street there is understandable concern among local film buffs as to alternative venues. It doesn’t help that Riverside Studios is not available as they have got the builders in.

So how long will it take for them to reopen?

William Burdett-Coutts, the Artistic Director of Riverside Studios, tells me:

“On the current plan the expectation is that the building will open in phases starting in April 2018 and hopefully fully open by August.”

According to the Riverside Studios website:

“Riverside Studios will have much improved facilities including three studios for television, theatre, dance, opera, music and comedy. We’ll have a 200 seat cinema and screening room, a community & rehearsal area and a greatly enhanced public entertainment facility including a local events and entertainment space. There’ll be a beautiful new cinema foyer with its own bar and a permanent exhibition of our heritage. The building will have its own bakery, a brasserie and a fine dining restaurant each with their own bar. The river walkway will be opened up for the first time in front of Riverside Studios and Queen’s Wharf allowing you to walk beside the river all the way from Barnes Bridge to Craven Cottage.”

Bill Forbes-Hamilton enters art competition

John Betts House in Rylett Road, run by Hammersmith United Charities, provides a fine example of how sheltered housing can provide a cheerful environment with strong community spirit.

Many residents show a talent for gardening.

However Bill Forbes-Hamilton, 85, has taken up painting. He has entered the Evening Standard’s art competition. A London theme was required so he chose the Marathon.

He says:

“My idea was to put all the people in fancy dress in the front row. I admire them greatly — running a marathon is hard enough even before you start wearing one of those costumes.”

Good luck to him.

Forbes-Hamilton main job is still acting though. He is an extra in the Laurel and Hardy film – starring Steve Coogan as Laurel – which is being released in January. Forbes-Hamilton can be spotted eating in the background in restaurant scenes.


Alfred Daniels’ Murals In Hammersmith

By the gentle author

Old Hammersmith Bridge by Alfred Daniels

Old Hammersmith Bridge by Alfred Daniels

When I met Alfred Daniels, the painter from Bow, almost the first thing he said to me was, ‘Have you seen my murals in Hammersmith Town Hall? I’m very proud of them.’ So it was with more than a twinge of regret that I went to see the murals yesterday for the first time, over a year since he died, realising I should have gone while Alfred was here to tell me about them.

Yet it proved an exhilarating experience to discover these pictures that declare themselves readily and do not require explanation. Five vast paintings command the vestibule of the old town hall, created with all the exuberance you might expect of a young painter fresh from the Royal College of Art in 1956.

On the south wall, three interlinked paintings show scenes on the riverbank at Hammersmith Mall,which was just across the lawn at the back of the Town Hall before the Great West Road came through. The first looks east, portraying rowers standing outside The Rutland Arms with Hammersmith Bridge in the background. The second painting looks south, showing rowers embarking in their sculls from a pontoon, while the third looks west, showing a Thames pleasure boat arriving at the pier. A walk along this stretch of river, reveals that these pictures are – in Alfred Daniels’ characteristic mode – composites of the landscape reconfigured, creating a pleasing and convincing panorama. In Alfred’s painting the river appears closer to how you know it is than to any literal reality.

These three pictures are flanked by two historical scenes from the early nineteenth century, showing old Hammersmith Bridge and the Grand Union Canal, adding up to an immensely effective series of murals which command the neo-classical thirties interior authoritatively and engagingly, without ever becoming pompous.

This must have once been an impressive spectacle upon arrival at Hammersmith Town Hall, after crossing the small park and then climbing the stairs to the first floor entrance, before they built the brutalist concrete extension onto the front in 1971. This overshadows its predecessor and offers a new low-ceilinged entrance hall on the ground floor which has all the charisma of a generic corporate reception. Yet this reconfiguration of the Town Hall has protected Alfred Daniels murals even if it has obscured them from the gaze of most visitors for the past forty years.

However, the murals can be viewed free of charge when the Town Hall is open and I recommend you pay a visit.. You just need to drop an email to and make an appointment.

daniels2daniels3Painted by Alfred Daniels and John Mitchell in 1956, cleaned and restored by Alfred Daniels assisted by Vic Carrara and Robyn Davis, 1983daniels4daniels5

Mural on the west wall

This post originally appeared on Spitalfields Life is a reproduced with kind permission.

Take the arts and crafts heritage trail along the Thames path

Emery Walker and William Morris.

Emery Walker and William Morris.

Arts & Crafts Hammersmith have launched a new website for the New Year, highlighting West London’s rich artistic heritage.

The website is part of a Heritage Lottery Fund supported project, worth £1million, that aims to reveal the continuing impact of the Arts & Crafts Movement in West London. It demonstrates how many artists and craftsmen were drawn to Hammersmith in the late 19th century to be near its two most influential protagonists – William Morris and Sir Emery Walker.

Dining room at 7 Hammersmith Terrace

Dining room at 7 Hammersmith Terrace

The website launches as the William Morris Society’s premises at 26 Upper Mall and Emery Walker’s House at 7 Hammersmith Terrace reach the end of major renovation and refurbishment. Visitors to the website will be able to find out more about both men, their lives, friendships, homes, work and continuing influence, through a range of activities from visits to the respective historic houses, learning and participation initiatives, and opportunities for volunteering.

And you may be inspired to walk off the New Year’s excesses by following in their footsteps with an online heritage trail. This takes you along the Thames Path between Hammersmith Terrace, where Walker lived to just before Furnival Gardens, where Morris had set up home at Kelmscott House, a trip both men made every day for six years when they called in on each other. Now you can walk along the riverside route, using the website to find out about the various artists and social activists who have lived along this scenic path over the years.

Arts & Crafts Hammersmith are looking for volunteers to join their friendly team, so take a look at their website and see if you’d like to make helping out at this fascinating, local heritage project one of your new year’s resolutions!


Kelmscott House in Upper Mall.

Kelmscott House in Upper Mall.

Cllr Joe Carlebach: The Passing of a great British Icon – David Bowie 8th January 1947 – 10th January 2016

joecarA guest post from Cllr Joe Carlebach

It was with great sadness that I learnt of the death of one of my music ‘heroes’ David Bowie this morning.

His story represents much of what I admire about the opportunity this country offers, having started from very humble origins, born into an ordinary family in Brixton on the 8th January 1947. Out of those post war, grim ration dominated days he emerged as one of the greatest song writers and performers of his generation. He demonstrated a mastery of styles, a vivid imagination and a gift for originality that I doubt we will see again for many years if ever.

There were so many career high points that it is almost impossible to detail them here but along side the many pop and rock hits Bowie also adapted and performed ‘Little Drummer Boy/ Peace on Earth’ with Bing Crosby which was recorded in September 1977. As it turned out this was just under one month from Crosby’s untimely death. This song has become a Christmas classic and is testament to his performance and style versatility.

His music was and still is an inspiration to millions across all the ‘alter egos’ he created. I have no doubt that later today in the International Space Station the strains of Major Tom will be heard ‘far above the earth’ very apt as this was his first hit in July 1969.

Bowie had a significant local connection as he played his now legendary Ziggy Stardust farewell concert at the Hammersmith Odeon which many regard as the finest performance of his career. I am sure there are local residents out there who attended that night and will remember it as a classic moment in the history of British popular culture.

For those of us who grew up through the 1960’s and 70’s his music will always be associated with personal milestones of success, torment, sadness and joy. Many will mourn his passing but he has left his music to us as his gift and inspiration, for now and for future generations.

Labour council’s “arts strategy” unravels

I recently attended a meeting of the Council’s Economic Regeneration, Housing and the Arts Policy and Accountability Committee held to discuss the Council’s Draft Arts Strategy. As you would expect the document was largely waffle – a point made by several of the representatives from arts organisations that truned up.

There was an effort for some tangible content to be included. Cllr Lucy Ivimy suggested that the council should provide a listing of arts event in its email bulletin to residents. I suggested a business rates discount for pubs that opened theatres in their basements (or upstairs rooms).

What about a Ravenscourt Park Literary Festival? Sponsorship could probably defray the modest cost of a few large tents.

What about the council providing some venues from its array of buildings sitting empty at evenings or weekends for performances or exhibitions? What about the council helping to match up local artists with cafes willing to display art work for sale?

What about releasing some of its art collection kept in storage at the Lilla Husset centre in Talgarth Road? There are many picture of local scenes by amateur artists that could be placed on the walls of libraries, schools, GPs surgeries and council offices.

Theer was no undertaking to proceed with any of these ideas. But there was a lot of talk about “inclusion” (and of being against “exclusion”), “focus”, “strategic discussions”, “consultation”, “creation”, “establish a panel”, “establish a forum”, “arts for everyone”, “stimulating ambition”, “expanding horizons”.

Even the few specific points that were in the document crumbled on examination.

The document says:

“We will appoint an arts officer to provide support and advice.”

But the Cabinet Member responsible, Cllr Andrew Jones, then announced that the Council wouldn’t.

Well done Cllr Jones. With scarce resources for the arts the available money would be better spent on grants to arts organisations rather than being diverted to fund a new post for a council officer.
But I sought clarification.

The council officer responsible Sue Harris replied:

“My understanding is that the draft strategy is a series of ideas and  nothing has been decided as yet.”

The Arts Strategy document also says:

“We will develop a long-term plan for the borough’s own art collection – the Cecil French Bequest. This includes restoring the collection and fundraising to find a permanent home for its display in the borough.”

I have written about this before. The collection is worth £17.8 million but is kept locked away for nobody can see it. Meanwhile the councils spends millions a year on debt interest.

Of the plans to put the collection on display I put in the following query:

“This is very vague. Please advise the deadline with is plan to be achieved, the amount of funds that would need to be raised and if that in the event of a failure to raise the required funds whether selling all or part of the collection will be considered.”

Donna Pentelow on behalf of the Council replied:

“The draft arts strategy is emerging, and nothing has been decided as yet. Once the strategy has been agreed and finalised, further work will be undertaken to confirm how the Cecil French collection is to be put on display and the amount of funds that would need to be raised.

“Officers are currently looking at the condition of the collection and what restoration work is required. Officers are exploring ways in which external funds can be raised to carry out any restoration work. There are currently no plans to sell all or part of the collection.”

In other words there is no genuine plan to put it on display. But not to sell it either. Just to keep it hidden away. A complete scandal