I have written before about the controversial question of what colour Hammersmith Bridge should be painted.
The work is due to take place this year but the colour – and other matters – have yet to be resolved.
Tom Ryland, Chairman of the Hammersmith Society says:
“We have been pressing the Council – so far unsuccessfully – for us to be involved in decisions regarding the refurbishment of the bridge which is due to take place later this year. As you will all be aware, the bridge is in need of strengthening so that it can support the weight of double decker buses and some lorries. This a joint project between Transport for London and the Council who have responsibility for the maintenance of the bridge. Several short term closures have been necessary for temporary works and we understand further closures are necessary to allow detail survey work to be carried out. There still does not seem to be a formal programme for the main works. For obvious reasons we do not expect to be involved in the technical detail and our main interest is in the lighting and redecoration. Since the last lighting upgrade for which the Hammersmith Society gave its Environment Award in 2000 for the ‘blades of light’ created on each side of the bridge, lighting technology has moved on in leaps and bounds so that the individual incandescent bulbs will almost certainly be replaced by strips of modern LEDs. In the same refurbishment, the bridge was repainted in the olive green – often described as ‘Harrods Green’ as this was found by research to be closest to Joseph Bazelgette’s original colour scheme. Does this mean that the bridge must always be this colour which is not universally liked? After all Bazelgette was an engineer not an architect. Apart from the green colour fading quite badly – looking awful when patched – it now merges with the green tint of the new Queen’s Wharf/Riverside Studios buildings so that the bridge, when viewed from up river, is all but lost. The bridge has had other colour schemes in its history and we suggest that the colour scheme should be re-visited so that the bridge can rightly be seen and appreciated in all its glory.”